Foam City by Tomasz Kowalski
June 5 - July 31, 2021
Swallow in Vilnius, Lithuania
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Tomasz Kowalski’s exhibition Foam City at the Swallow project space marks the first solo presentation of the artist’s work in Lithuania. The show is organised as part of the 14th Baltic Triennial – The Endless Frontier.In Foam City, Kowalski’s frequently used bubble motif becomes an allegory of a continuously produced human environment. The soapy and only partially transparent membrane of the bubbles reflects projections of external realities. Although, when viewed from the inside, these possible worlds seem to be right in front of us, as soon as we try to reach them, the bubble bursts. The bubbles act like optical devices, whose swelling, vibrating iridescent surfaces distort and multiply the reflections of our personal and communal lives.
Untitled, oil, canvas, 119 x 186 cm, 2021
Untitled (detail), oil, canvas, 119 x 186 cm, 2021
Hiatus, paper, gouache, 61,5 x 43,5 cm, 2021
Ambient, paper, gouache, 43,5 x 61,5 cm, 2021
Enchanted Puddle, paper, gouache, pencil, 61,5 x 43,5 cm, 2021
Untitled, paper, gouache, ink, 61,5 x 43,5 cm, 2021
Foam City, exhibition view at Swallow, Vilnius, 2021
Tomasz Kowalski with Marta L. Poznanski, Foam City (detail), group of seven painted papiermâché sculptures, dimensions variable, 2021
Foam City, exhibition view at Swallow, Vilnius, 2021
Untitled, paper, gouache, ink, 43,5 x 61,5 cm, 2021
The exhibition features a demon – the protagonist of a hypothetical situation defying the second law of thermodynamics, devised in 1867 by the Scottish physicist James Clerk Maxwell. The situation is usually depicted as a space made up of two rooms with two-coloured bubbles moving across it at different speeds. The door separating the two rooms is controlled by a demon, who keeps opening and closing it, outrunning the moving particles and thus separating the warmer from the cooler ones in different rooms. Thus, one room gradually warms while the other one cools down, and thermodynamic equilibrium is never reached. Maxwell’s demon is an articulation of how within the boundaries of the collision between two separate systems – both at the molecular and the political level – operate eccentric, untrustworthy forces that are not subject to their rules and orders. In ways known only to themselves, these forces distribute and regulate the invisible flows of information, energy and matter circulating between the two environments. Moreover, since they are at work both internally and externally, the collision with them cannot be represented on a coordinate plane or any other diagram. How we feel their action is rather “from the inside” – as an inflammation in the body or an irritated state of consciousness in which our sensorium instinctively tenses up and begins to react by saturating the colours of the environment, reducing all shapes of unclear boundaries into geometric figures and combining individual sounds into rhythms.
Foam City, exhibition view at Swallow, Vilnius, 2021
Tomasz Kowalski with Marta L. Poznanski, Foam City (detail), group of seven painted papiermâché sculptures, dimensions variable, 2021
Foam City, exhibition view at Swallow, Vilnius, 2021
Tomasz Kowalski with Marta L. Poznanski, Foam City (detail), group of seven painted papiermâché sculptures, dimensions variable, 2021
Tomasz Kowalski with Marta L. Poznanski, Foam City (detail), group of seven painted papiermâché sculptures, dimensions variable, 2021
In Foam City, Kowalski’s drawings, paintings, sculptures and sound works offer a dreamlike critical image of contemporary social life, where the invisible boundaries of our personal security and intimacy are loosely fused with the material limits of the city – fences, streets, walls of buildings. The building material of the foam city – bubbles, equally fluid and solid, fragile and plastic, combine to form a growing and renewable mass of foam, with no established distinction between inside and outside. Here, Maxwell’s demon sorting the particles into separate rooms is not an allegory of an exception to a physical law, but the only rule of an unpredictably changing social and material order. Kowalski’s works cultivate a troubling and enchanting, both atomised and fluid image of a reality, in which life that happens on the fringes of society, culture and the imagination is brought to the foreground.
Text by Edgaras Gerasimovičius
Numbers and Empty Eggs, paper, gouache, ink, 43,5 x 61,5 cm, 2021
Foam City, exhibition view at Swallow, Vilnius, 2021
About the Artist
Tomasz Kowalski (born 1984 in Szczebrzeszyn) has had solo exhibitions at the Centre for Contemporary Art Ujazdowski Castle Warsaw, Contemporary Art Museum St Louis, group exhibitions at Kunsthalle Wien, de Appel Art Centre, MUMOK, Centre Pompidou, MSN Warsaw, SMAK Ghent among others. His works are in the public collections of Centre Pompidou, MUMOK, MOCAK, Frac des Pays de la Loire, Francois Pinault, Boros, Olbricht. He is the winner of the Guerlain Foundation Drawing Award 2014. He runs Alicja, a music label releasing various artists and his own music and sound-plays.
Tomasz Kowalski at Swallow
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Images courtesy the artist and Swallow. Photography by Ugnius Gelguda
